RA ONE Movie Review

Ra ONE

 Director: Anubhav Sinha
Starring: Shah Rukh Khan, Kareena Kapoor

Read more at: http://indiatoday.intoday.in/story/ra-one-movie-review/1/157516.html

 Pataka? Article? Tota? A player takes a few words about the half of a beautiful girl occasionally, until it was covered in the above: chammak Challo. Shah Rukh Khan eyes light blue superhero, Kareena Kapoor turns red sari, and start dancing the song of Akon Bharatnatyam dancers inspired Russian mini-skirts. Yes, it is this kind of movie, where everything happens at once. Amitabh Bachchan is a part of the voiceover Rajinikanth, Chitti, the robot exhibits G. A superhero Shah Rukh, how to turn your sunglasses, artist Subodh Gupta painting clothes, and even friends Sanjay Dutt and Priyanka Chopra to act by a juvenile joke, playing characters in games where the star can beat Bruce's sisters iSki called Lee Lee, Lee and Lee Uski Sabki. Even if you cringe at Shah Rukh Tamil Hindi accent and curd noodle room to act, hoping his curly wig falls on your plate, you realize that it is a big party and everyone is invited.

Welcome to the Open House a great movie. Shah Rukh is the host and he will ensure that the VFX © s canapés delivered at regular intervals; cup feelings considered complete, and there are enough sermons on the care-what-you-want-here you can take home as presents system the backup. This is the film industry, rather than a noble passion, but the great pleasure, not a magic show for the event marathon, but it's manageable. No effort is spared. Shah Rukh walks sideways in Mumbai local train, the engine stops with his bare hands, the cost of electricity, up to slap his ass heroine, and adheres to the chest. Among the vehicles to throw his nemesis, recently escaped from a video game, dance like Michael Jackson, and to quote V. Shantaram, superhero moves between the digital and the real world, London and Chennai, and the burial of a Christian prayer, a Hindu.

I think some lessons here to be a citizen of the world, and Shahrukh Khan fan of hyperactive child will certainly benefit from it, but it would have been nice to see more plowing with a Volkswagen bus a lot more red. But yes, I know, this is a superhero with a heart and lada goliyon IF Nah, DIL SE jeet jati hai. The special effects work, but not always applied uniformly throughout the film. The cool blue superhero suit metal does not always appear on the screen. And hey, Arjun Rampal, really needs to stop grit their teeth at the same time providing a dialogue intimidating. We are not afraid, because we can not understand. Shah Rukh throws himself on a huge and just the buildings, leaping into the air and landing on his feet, even Kareena Kapoor in her arms. Faced with a relentless energy, we surrender. It should be ', Shah Rukh, Forget it. In the words of your own super hero, you did well.

RATING: * * *

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Force Movie Review

Rating: **


Proven formulas can weaken any film. Regardless of the power of the stars, music or painting breaks excellent performance. But with the right people on board, and an innovative way to tell a story, the film can get through almost epic. However, it does not fit into this category. Although John Abraham, Genelia D'Souza and newcomer Vidyut Jamwal in the functions of the ACP Yashvardhan, Maya and Vishnu, originally played by Surya Sivakumar, Jyothika and Jeevan in Tamil hit Kaakha Kaakha while not perfect. Kamat Nishikanth is certainly an incredible director and every actor has his own talent. However, when deployed with the support of the Vipul Shah film production, which normally can be expected that the sparks fly to defeat the assistance.


Ok, let's step back, and understandably, a remake of the South, the story was not only in the original language or in the future of Tamil audience. Sharp and intelligent ACP Police Yashvardhan starring John Abraham and dismantling drug ring in Lord of the drugs Anna Reddy (Mukesh Rishi), in turn, become the target of revenge for his brother Vishnu called Vidyut Jamwal newbie. And we all know, bad blown shake your work life is never enough. At this point, Genelia comes into play. Of the drug cases that represent a threat for its beautiful cities, Yash reluctantly takes a Maya social activist in his life, so his risk of a sweet and easy target. How are things in the shape of the nucleus.
Action film and the exchange between John and testosterone Vidyut are high in volume as an attempt to keep the audience on the edge of their seats. Unfortunately for us, in high volume does not mean high in the spark. On the one hand, the manuscript is seen to depict a smooth surface, just to cop in the city. On the other hand, it masaledaar treatment (more than just a few classifications of strategic brands) intervened. Individually speaking, each actor played their part. Johns reinforced outside only add to the character and his brute strength. But even as he tries to do the trick, but the simple things, like his dimpled smile off the stern and the seriousness of the role that made him lose the essence of a police officer rigorous. Genelia D'Souza Dons a young, bubbly yet official version of Maya, but it plays very well when she is on familiar ground with many of his roles in the South have similar traits.
Quick Mention must be made about the chemistry between the even that varies from just nice there. A bit 'sad, because people like a full corner. But by far the most invasive Vidyut to take the whole cake, Kit and glitz. The actor is a presence on the screen is amazing and the perfect villain for the new generation. Mukesh Rishi is ok to drug Mr. Reddy. Monisha enough Sandya Mridal Bells. John left his companion threw Mahesh and Kamlesh, step in their two cents.
From behind the camera brings Bose Ayananka to live every scene with Aarif Shaikh keep the crisp case. The landscape is almost picture perfect. But beautiful places are not the only thing we see on the screen. Watch a movie as the Group is not for the timid, and it is evident in the action sequences Allan Amin. It is possible that changes in the masala movies make a comeback to be behind the representation and the screenplay for this adventure Nishikanth Kamat headed. It would be unfair to say that it's not fun, but the high-voltage action is not sitting the way you wanted it for a masala film. On the other hand, the introduction Vidyut fight scene you sit up and take notice. The same can be said about the soundtrack. Harris Jeyaraj is back after Dil Mein Rehna Hai Tere, another remake of the south and made a track original Tamil film, "Khwabon Khwabon." But the resumption of the lot would be Main Chali by Kaiser Kahoona is far behind.
Thus, the force is so powerful as you can expect it to be? Yes, however, brute force does not always work.


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MAUSAM MOVIE REVIEW

Starring	Shahid Kapoor
	Sonam Kapoor
	Supriya Pathak
	Anupam Kher
Director	Pankaj Kapoor
Music Director	Pritam
Rating	***

MAUSAM Movie Review

What you expect to be a timeless love story turns to be an endless episode in Pankaj Kapur's Mausam . Kapur uses actual unlucky events from shared riots to terrorist attacks as the background to represent changing periods of love in his coming of age love story. And the lethargic story makes an effort to push itself 'only' during these hardships. So you are so disillusioned after a point that you hopelessly pray for another catastrophe to strike and thereby end your chaos. 

The story starts in early 90s when Aayat (Sonam Kapoor) greeneries behind her home in Kashmir (following the unrest in valley) and lands at a relation's place in Punjab. Village boy Harry (Shahid Kapoor) falls head over repairs for her but fate has some dissimilar plans. Post the Babri Masjid demolition, Aayat moves to an unknown terminus. Fate reunites them after seven years in Scotland when Harry has turned an air-force pilot. 
Inappropriately Kargil war splits them again where Harry is bid in the line of duty. Unable to trace each other post the war, the two pine for each other for years.
Pankaj Kapur kicks-off the film on a talented note in the unspoiled Punjab village, tapping the raw and young energy of Shahid Kapur, who races together with a speeding train in a roofless impala, living life on the edge. Love blossoms between the lead pair amidst the traditional setting of an in-house Punjabi wedding, and though we have seen that hundred times before on screen, you still somehow like the innocence of the 90s amorousness that the director captures elegantly. 

Undoubtedly Mausam is marred by its inexorable length and could have been much crunchier, considering what it actually serves in its three-hour runtime is too shallow in comparison. Other than that, it boasts of a decent soundtrack, courtesy Pritam and striking photography by Binod Pradhan. 

On the presentation front, Sonam Kapoor is merely passable and lacks the range to handle a character which spans a decade and demands varied emotions. So it's left up to Shahid Kapur to save the ship, which he capably does. He shows immense deftness in pulling off the wide range of variable conduct, mannerisms and maturity that his charm demands. He is charming as the community boy, suave as the pilot and intense as the bereaved lover. Aditi Sharma is remarkable in her short role consuming negative shades. Supriya Pathak and Manoj Pahwa are decent. Anupam Kher is hardly there. 

Mausam starts off with the enjoyable freshness of any new season but stretches so long that you yearn for the onset of the next season.

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MERE BROTHER KI DULHAN Movie Review

Starring	Imraan Khan - Kush Agnihotri
	Katrina Kaif - Dimple Dixit
	Ali Zafar - Luv Agnihotri
	John Abraham - Special appearance
	Tara D'Souza
	Kanwaljeet Singh
	Parikshat Sahni
	Mahru Sheikh

Rating

****

MERE BROTHER KI DULHAN

MERE BROTHER KI DULHAN isn't stale or corny, but it's humble and truthful, so much so that this could be the story of somebody you know. Thanks to a well-directed cast, glittering script and a glowing soundtrack, this is easily one of the most cheering movies from the foremost production house.

Kush [Imran Khan] is looking for the perfect Indian bride for his brother Luv [Ali Zafar], who halts in London. In his quest, Kush goes through an array of crazy meetings with several families until he finally discoveries that faultless girl in Dimple [Katrina Kaif], the silliest / craziest girl he has ever known.

Both the relations meet. Bureaucracies are completed. Arrangements proceed in full slap. And just then Kush falls in love with Dimple... his brother's Dulhan.

On retrospection, if somebody were to tell you that the story of the film is about a guy who falls in love with the bride he has chosen for his brother, you'd expect lots of melodrama and an undercurrent of tension after a point in the narrative. I'd say, ignore all the nagging misconceptions or preconceived notions you may have had about MERE BROTHER KI DULHAN. Venture into the Cineplex with an open mind and trust me, as the reels unfold, you'll realize that the film is not like what you may have envisioned prior to its screening. It makes wonderful sense!

MERE BROTHER KI DULHAN

Most rom-coms follow the conventional route. You know how they start, what's in store in the middle and how they usually end. They don't really challenge the intellect, frankly. But there's a twist in the tale in MERE BROTHER KI DULHAN that catches you by surprise. Sure, it's about two guys liking the same girl -- a formula that's done to death -- but even if the theme has been used and re-used time and again, there's always scope that the next man who attempts it may treat it slightly differently. Thankfully, MERE BROTHER KI DULHAN has the conventional plot, but isn't conventional in the true sense. And it's definitely not the been-there-seen-that kind of a movie either.

On the flip side, MERE BROTHER KI DULHAN has its share of few predictable moments in its second hour. Actually, the graph of the film dips, albeit slightly, in the post-interval portions. The problem is, the first hour is so high on entertainment quotient that you expect the second hour to supersede the first by leaps and bounds. Lots seem to happen in the post-interval portions, but the episodes aren't as exciting as the first hour, which is why you feel the difference. However, the finale throws a new twist, which may appear stretched to some, but is likeable nonetheless.

First-time director Ali Abbas Zafar has complete grasp over the medium and has preserved each scene delightfully well. Besides, he has drawn admirable presentations from the principal characters. Treatment comic acts are one tough job, but Ali seems to have a flair for it. MERE BROTHER KI DULHAN has a winner of a soundtrack. Expectedly, the songs, composed by Sohail Sen, stress on the fun quotient that compliments the mood of this film. The songs are urbane-friendly, yet massy, with 'Dhunki', 'Choomantar', 'Madhubala' and the title track being excellent compositions. I would also like to make a special mention of the choreography of these songs [Bosco-Caesar]. It's truly eye-catching. Sudeep Chatterjee's cinematography is vibrant.

The performances are easy on the eyes. The unlikely chemistry between Katrina and Imran coupled with Ali Zafar's impeccable comic timing keeps you glued to the screen. Imran, frankly, seems the apt choice for this role and he more than lives up to it. Katrina is only getting better and more endearing with every release. Ali Zafar is a supremely talented actor and this film proves it yet again.

Tara D'Souza does a fine job. Parikshit Sahni and Kanwaljeet Singh are truly wonderful. The actor who plays Imran's friend is natural. John Abraham appears in a cameo.

On the whole, MERE BROTHER KI DULHAN is an attractively wholesome, heartening, feel-good entertainer. Not just a comedy, but also a tender, bittersweet saga, this rom-com is sure to melt your heart, then restore it anew all over again. Yet another winner from Yash Raj!

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That Girl In Yellow Boots Movie Review

Starring :	Kalki Koechlin
	Naseeruddin Shah
	Prashant Prakash
Director:	Anurag Kashyap
Genre:	Drama
Duration	1 hour 30 minutes
Rate:	****

Ruth (Kalki Koechlin), an illegal immigrant in Mumbai, is refusing to return to England, unless he finds his father, the Indians, who abandoned his family when he was a child. It 'a massage parlor for its maintenance and does his best to fight the local goons who want to take advantage of his situation. When a drug addict who lives a boyfriend, does not seem too much comfort, but the presence of his father Naseeruddin Shah, one of its most loyal customers. Ruth was able to find his father? But above all, prove to be ideal for the father who had always dreamed of ....

Film Review: Always the unexpected, Anurag? Never, ever expected to fetch in the movie Maverick filmmaker and you'll rarely disappoint. For as Anurag really push the limits of modern Indian cinema truly believe in saying something new, something different, something meaningful. And yes, he still loves to shock and awe ....

Kalki search for her missing father is a sad story quixotic, twisted love and nostalgia with a climax that rattles. And it's a sordid and tragic history of incest and sexual abuse that are so integral to a society that still does not know how to treat women.

More importantly, the language of motion picture film that impressed. Kalki world - the apartment in poor condition, spoon massage parlor, romance, no passion, little immigration office - is a closed world, suffocating, with almost no ray of light. The only hope of the young woman determined to find her absent father. Kashyap much attention in the chassis and technology in the development of history and character that makes his films an artistic experience and healthy. A word about the performance of Kalki, literally gets into the skin of the protagonist and the evidence of the anguish of a lonely soul, lost without effort.

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BODYGUARD Movie Review

Starring	Salman Khan
	Kareena Kapoor
	Raj Babbar
Rating	***1/2

'Bodyguard' with Salman Khan has struck gold! The blazing star scored a hat-trick in Eid third consecutive launch of the first two films for Dabangg and.

Bodyguard

The film portrays him as a bodyguard of Salman that looks sturdy but is soft and romantic at heart. Produced by his brother in law Atul Agnihotri and sister Alvira, `a` Bodyguard all the essential elements of a blockbuster movie.
Glory to the filmmaker has given Salman Siddique Khan, a way never seen before! And the action sequences are breathtaking. Contain a formula tested in action cum romance, Director Siddique has been able to churn out thriller that will keep you glued to the chair until the end.
The first half of the film while the other half is going to grab you with its twists and unexpected turns.


Beautiful Singh, Salman played a character who connects immediately with loving audiences. Kareena Kapoor is brilliant as Divya, who is fed up with Salman Khan as his bodyguard. He plays with his feelings for the recognition of love is a wonderful and humble that he believes is right.


But if the two come together as a couple in love, so some of you to find out. So grab your tickets to see Salman all the way!
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Shabri : Movie Review

Cast: Isha Koppikar, Manish Wadhwan, Pradeep Rawat, Zakir Hussain

Direction: Lalit Marathe

Genre: Crime

Duration: 1 hour 40 minutes

Rating: ***1/2

Shabri (Isha Koppikar), an honest, hardworking resident of a slum, he wants to ensure a decent life and decent of his brothers and his mother. Now is a difficult task, when the mafia has its tentacles and do really well with the weakest in Mumbai. And if you manage to escape and the poor in the bag is always mean to the police station waiting to unleash terror is powerless. Shabri story begins when gangsters avenges his brother's death in police custody, and fixing his eyes to the local Mafia Overlord as his next target.


Movie Review: This can be traced back to its predecessors is the School of Ram Gopal Varma's film-making - yes, the RGV is a producer - not even the originality of the film, the kind that goes over familiar. The film is in the corners and cans for a while 'time, however, is not dated quality. And it is because there is nothing new about the plot that follows a regular RGV because traces the birth of a gangster, among the common man.


The novelty of this film is its narrative style, the fabric Stark black and white and grainy, realistic performance of the overall distribution. It's a slugger, not fussy account of the events that transform a slum dweller in a no-frills fearless killer and a dangerous gangster shenanigans with depth Isha Koppikar ready for the protagonist, Shabri. It puts in a sober portrait of the archetypal woman down and out which seems to have lost everything, but never say die spirit. Despite the tumult of his life, feelings are always kept in check and action speaks louder than words. Equally compelling performance comes from Zakir Hussain - always a pleasure to watch - as a police officer irreducible, who plays his little game to secure a lot of good adjacent priority.


The action is fast, the action is very watchable and ends as first Director Lalit Marathe style Shabri.
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AARARSHAN - Movie Review

Director :	Prakash Jha
Music :	Shankar Mahadevan, Ehsaan Noorani, Loy Mendonca
Lyrics :	Prasoon Joshi
Starring :	Amitabh Bachchan, Saif Ali Khan, Manoj Bajpayee, Deepika Padukone, Prateik Babbar, Shabana Azmi, Tanvi Azmi Hema Malini

In the first scene of AARAKSHAN, Deepak Kumar (Saif Ali Khan), while a college interview, made fun of because of his caste. He storms into the room, not before offending the interviewee and the film starts on a high note. But as the clock ticks, the graph of the film only to head south.

Prabhakar AARAKSHAN about Anand (Amitabh Bachchan), who was one of the pillars of private high school in Bhopal for over 30 years. Idealistic, believes in the merits of capital, yet is respectful of poor students who can not score a high score. Deepak is an incredible help Prabharkar, is in love with his daughter, Poorbi (Deepika Padukone). Sushant (Prateik) Poorbi is a good friend and studies in the college itself.

A comment in a newspaper in the Supreme Court order on reservation land in a difficult situation Prabhakar. He resigned to make way for interesting Mithilesh Singh (Manoj Bajpai), part of the institution, but focuses more on his private training course. Because of his evil plans, Prabhakar and his family are even forced to flee their homes. Prabhakar Can he regain his life, is what follows.

AARAKSHAN

Based on the social issue of the reserve Prakash Jha AARARSHAN has his heart in the right place. But it takes a long time to send the message that he lacks patience. The first half, despite taking a long time (two back-to-back songs) to get to the main plot is pretty good. Conflicts between the characters to do a show appeal. But after the break, Prakash loses its grip as the story just drags. It is laborious and repetitive search, the story moves at a snail's pace. The highlight is too good to be true and can not have a big impact. AARAKSHAN remember the last movie Prakash, Raajneeti, but does not match the subtlety and the drama of it. However, it has the potential to initiate a new debate on the issue of reservation, offering an alternative.

Music Shankar-Ehsaan-Loy is disappointing, since none of the songs is on the mark. Sachin Kumar Krishnan cinematography is fine. Santosh Mandal issue could have been a lot sharper.

Amitabh Bachchan offers exceptional performance and fits the role of T. Note the scene after he resigned and left the university. His eyes just said everything. This shows that hunger is still there. Saif Ali Khan, works well and makes her character believable. Deepika Padukone is decent. Manoj Bajpai plays the character perfectly negative selection. Prateik does wrong and has to improve a lot. Darshan Jariwala is good. Yashpal Sharma is efficient. Hema Malini Cameo makes little sense.

You do not lose much, if not "reserve" a place AARAKSHAN.

Rating: 2.5 / 5

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